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Alumni Gallery | Jean Druesedow, Director Architect/sculptor/jeweler: all describe the work of Arthur Koby whom Vogue Magazine described as “one of the masters of collage.” Designer Geoffrey Beene asked Koby to provide jewelry for his runway collections as did Oscar de la Renta and Donna Karan throughout the 1980s. He combines, manipulates and assembles unexpected materials, found in his worldwide travels, into necklaces that his clients can choose to wear in full evening dress or with jeans and T-shirts.

Broadbent Gallery | Margarita Benitez and Noël Palomo-Lovinski, Guest Curators The innovative subject of the exhibition has potential to shape future ideas of fashion and business. The exhibition seeks to address pioneering applications of technology that will have a radical effect on the future of personal expression, image and clothing. The exhibition will be divided into four categories: Generative Technology Design, Democracy of Preference/ Subversion of Traditional Production, DIY, Technology and Expression.

Stager and Blum Galleries | Sara Hume, Curator Pleating is one of the most basic fabric treatments as it serves to create three-dimensional clothing out of two-dimensional cloth. Folds and draping occur naturally when cloth is wrapped around the body. As tailored clothing developed in the West, these folds were stitched down, creating pleats. Pleats can also be produced through heat treatment of fabric to form intentional, lasting creases.  Box, inverted, kick, knife, sunburst, accordion, cartridge, tuck…

Higbee Gallery | Jean Druesedow, Director "Raiment for Liturgy: Vestments in the Kent State University Collection" will highlight a variety of religious garments and textiles from the KSU Museum's permanent collection, many of which are made from lavish materials.

Alumni Gallery | Sara Hume, Curator  Fans are among the earliest accessories because they perform a critical function. In the days before air conditioning, the cool breeze created by a fan came as welcome relief. Far from purely functional, fans became highly ornamented and beautiful. Over the centuries and across continents, a number of different basic forms of fans developed. This exhibition explores these different shapes and styles.

Broadbent Gallery | Jean L. Druesedow The defining characteristic of any fashion period is the shape of the silhouette. Shape is largely determined by what is worn underneath the fashionable garment and next to the skin. Why silhouettes have often had so little to do with the shape of the human body is one of the mysteries of fashion. It is influenced by economic, political and social circumstances as well as attitudes toward sexuality and the ever-present desire for novelty.

Stager and Blum Galleries | Sara Hume, Curator Cultures around the world have developed an array of resist dye techniques. Dyeing provides rich colors but once the fabric has been colored in a dark shade, lighter color patterns will not show up. In order to allow lighter colors to come through, areas have to be blocked from receiving dye. Any of these techniques of blocking the dye are referred to as a “resist.” Sometimes these techniques have arisen independently; sometimes the techniques have been passed across cultures through trade and exchange.

Higbee Gallery | Linda Öhrn-McDaniel Concept, problem solving and material process are the fundamental starting points for all my creative work as a designer, artist and educator. The act of exploration and discovery consistently inspires me to create new ideas. Narrowing my field of options in theme or color expands the need to use craft technique, fit or surface design to solve creative issues within each garment. A primary example of this approach is the circles and hearts that feature prominently in this exhibition.

Alumni Gallery | Sara Hume, Curator The image of women at the seaside in elegant white gowns was a popular subject for Impressionist painters. This exhibition explores the reality of summer tourism with a selection of actual garments of the style that would have been worn near and at the beach between 1865 and 1915. The practice of vacationing was once the exclusive domain of a wealthy elite and did not become accessible to the middle class until the mid-nineteenth century.